This week I went up to Carmel. I made an appointment to meet with the Curator of the Weston Gallery in Carmel. My intention was two fold: 1. For him to take a look at my portfolio for this module and get his opinion on the work. 2. To ask if I could have my FMP exhibition up at the Gallery.
I met Ansel Adams at the Weston Gallery when I was a young film student at Cal Arts back in 1982. He was having a retrospective of his work and a friend of mine told me about it and asked if I would like to go, because he knew that I was a fan of Ansel and the Zone system.
Many years before when I was in the Navy in South Africa, I had seen a documentary on Ansel in Yosemite and it was then and there that I decided on a career in film/photography and applied to Cal Arts. Here it was some 4 years later and I would finally have the opportunity to meet him.
We drove up, went to the Weston, I met Ansel, had a book signed, and made a series of images of him both B+W and color, which I have had in my possession since. While up there was introduced to Point Lobos and the work of Edward Weston, so both these photographers have had an influence on my practice as both a cinematographer and more recently as a photographer.
My history with the Weston Gallery goes back a long way. I would like to come full circle and have my FMP exhibit there, or at least manage to get some of my work on show.
I drove up, went to the gallery, and met up with Richard Gadd the curator in his office. From the get go it was very casual and comfortable. I discovered he was originally from Ohio, I had done a movie up in that area so was familiar with Dayton (where he was from) Columbus and Sundusky Ohio. We spoke at length about Ansel and Ed, he was interested to see the images I had made back then, which lead into my current work and my Module 702 images.
The Weston is a very conservative gallery and I was a little concerned about my abstracts. So I included a few ‘strait’ images in my series on fences, to make my context clear. Fences is about the barriers, challenges and difficulties that I and other artists experience in life, which can spill over into others areas of life as well, and how to deal or overcome them.
When I showed Richard the series, which included both real and abstract images, I was very concerned that he would gravitate to the real images. However it was the opposite. He said he did not have to see the realistic image of a fence to get the concept I was trying to convey, that all he needed to see was the abstracts.
This fueled me to keep moving in that direction. We spent about two hours at the gallery. He showed me some rare abstract images that Ansel made, one was ‘Broken Glass’ that he was getting ready to send a collector. He also shows me an image that Ansel made at Manzanar that he shot over the ‘Fence’ at the back of the camp around 1942 of Mount Williamson. It was ironic that he shot it over a fence, and it also happens to be my favorite or all Ansel’s images.
He later invited me to a talk that was being held at the CFCP (Center for Creative Photography) by Richard Tuschman. It was also an opening at the gallery there on his work. The talk was very informative, I went to the opening to see Tuschman’s work, met him, he asked me for my business card, I don’t know why, but will see where that leads. I will also be in contact with him to find out how he went about getting the exhibit at the CFCP.
I feel that this experience was a great help. It gave me courage to pursue my practice in the abstract direction. I made contact with the gallery curator. The Weston, is gallery I respect and had the opportunity to meet with Richard Tuschman, who I will approach to find out how that all fell in place for him, and how it did that.
I also went to see Kim Weston (Ed Weston’s grandson) at Wildcat hill. I brought up the fact about burning my work. He recounted a story about Ed Weston doing that, which he later regretted. We had a discussion about printing and printing techniques, and I will return sometime later this year and he will give me a printing refresher, so happy about that.
Made some fence images both on the way up and down from Carmel. Went to Point Lobos, for old times sake and found a wrist watch just hanging on a fence up there, very strange, so made a few images of “time” to add to my list of findings. On the way up found a hand written message on a piece of wood strapped to a fence that said “repent” made a few image of that.
This week was a major step forward for me on many levels and look forward to making some images of the work I did up in that area this week past. And look forward to how things will pan out with the gallery and with Richard Tuschman.