Feb 28. This week is almost over, and have been very busy constructing images. I have moved from the position of just taking/making a photography to be a physical part of the making and constructing the image.
This week about the ‘Gaze’ is interesting. Why we look, how we look, at life images and people are interlinked. Fundamentally, we are attracted by beauty in whatever form it takes. For me it is the beauty of the new, and the unexplored. I’m a Christopher Columbus of images, always looking for the new and the different. Now maybe shifting gears to ‘create’ the new and the different.
The theme of the: ‘Rise of the Phoenix’ has always been of interest to me, and how I could apply that in my own practice to create something new has been a challenge for a very long time. This past week, I was going to have a ‘burning’ of my images, in order to start again with new ideas, I have accumulated over my live plus those new ones acquired in the MA.
As I got to the back door to do the burning, the wind started up, it was cold, cloudy, foggy, rainy and snowing. (yes is does happen in California, at the higher elevations) So, that ended the burning. I had printed about 40 inset prints, an the ink was not completely dry, and I threw the images out the back door into the wind, placed a few around the yard, and went back into the house. Some I collected an hour later some six, some were left out all night and other for days.
The images were totally at the mercy of the elements. And they were transformed into totally new images. The ink ran, smudged, concentrated and thinned out, to make some images barely recognizable, and other still recognizable. I then took them inside and rephotographed them. I will also scan them next week, and I played in Lightroom. I have happy with the imaged and finally been able to abstract them in a way I have wanted to do but unable to achieve. I presented a few images to Michelle, and she was pleased with the advancement, and like the abstractions. I have a webinar later with my tutor Paul, so will see what the outcome is on that.
I have managed to secure an interview at the Weston Gallery in Carmel, with the curator Richard Gadd. It would be a dream of mine to be able to have my Final Major Project there. I am going up to have him look at my work in progress and set see if there is any possibilities of getting my work shown. I will be up against Ansel Adams, Edward Weston, who both have been a major influence in my life. I met Ansel at that Gallery back in 1982, when he had his last retrospective there. It was then, that I was introduced to the work of Edward Weston, and Point Lobos. From Ansel I learned, that ‘The Negative’ is only half the story, they rest is in the print. From Ed I learned that one can do work in a very limited area (he is supposed to have said that he could photograph at Point Lobos his whole life) I always considered that statement very limiting, but as I get older, it makes a lot of sense to me. So, I made my series in my back yard.
Went down to Freestyle Photo, and Blicks in Hollywood, bought paper, ink, and nice portfolio case, and have been busy all week photographing, lite-rooming and printing work in progress print to present on Saturday at the Weston.
All my digital printing in done on a Canon Pixma-Pro10, and so far I am very happy with the color as well as the black and white prints. I am using after market inks, the original Canon Inks are so expensive, and so far they have been about 95% accurate. If I make prints for presentation, I use the Canon OEM inks and the color is about 99% accurate.
I work a lot in 35mm and 6×6, so behind a little on the processing, but will get to it when I come back from Carmel.
Richard Tuschman, is having a seminar up there, so I will be attending it. I did contact him by email, and he responded. so hope to have a little chat with him after the seminar, and hopefully get some nuggets of information on how to proceed with my own practice.